tag:blogger.com,1999:blog-6919674981128634746.post2252742615273241479..comments2023-11-05T07:41:34.380-05:00Comments on Kashu-do (歌手道): The Way of the Singer: Kashu-do (歌手道): On Fioratura and TrillsKashu-Dohttp://www.blogger.com/profile/17375903978220316261noreply@blogger.comBlogger4125tag:blogger.com,1999:blog-6919674981128634746.post-87771249429446322122011-02-02T23:40:32.798-05:002011-02-02T23:40:32.798-05:00Thank you Voice-Talk for your excellent contributi...Thank you Voice-Talk for your excellent contribution. It widens ourt scope most appropriately. I also agree with your assessment of laryngeal rocking and the participation of the TA muscles. As for La Stupenda, like many great singers, I am not sure she understood what she did really well. Great performers are not always great pedagogues.JRLhttps://www.blogger.com/profile/03557212825127420352noreply@blogger.comtag:blogger.com,1999:blog-6919674981128634746.post-52486484011833972292011-02-02T07:47:11.653-05:002011-02-02T07:47:11.653-05:00This is so well-explained Ron... now to put it int...This is so well-explained Ron... now to put it into practice, and I may have just a feeeeew questions in our lesson. Also it's interesting that if you turn off the sound while watching the clip of Beverly Hoch, you can often not really tell when she's singing coloratura or not. She rivals Pavarotti in that respect for such calmness and composure during the difficult passages. I am always amazed but how much his mouth and face in general does not give away that he's on a high C much as her face and body don't give anything away about her coloratura. I guess these challenges just so very much "in" their bodies.The Opera Insiderhttps://www.blogger.com/profile/06758410659334665944noreply@blogger.comtag:blogger.com,1999:blog-6919674981128634746.post-22671252457758199532011-02-02T02:58:49.079-05:002011-02-02T02:58:49.079-05:00Very interesting! My own perspective is that the ...Very interesting! My own perspective is that the oscillation of the larynx accounts for the feeling of movement in the vocal tract. In that sense, it is a matter of where one's attention is? Speaking of which, I have read an interview with Sutherland who said that the trill happened at the soft palate. <br /><br />I humbly submit a post I made about the trill culled from the teachings of old pedagogues: <br /><br />http://www.voice-talk.net/2010/06/trill-baby-trill.htmlDaniel Shigohttps://www.blogger.com/profile/12736080550398734909noreply@blogger.comtag:blogger.com,1999:blog-6919674981128634746.post-52829715424172498542011-02-02T02:22:28.800-05:002011-02-02T02:22:28.800-05:00If the sound clips do not work. It is temporary. F...If the sound clips do not work. It is temporary. Fileden, the host of my files announced some malfunctions that should be resolved within the next few hours.<br /><br />Thanks for your patience.<br /><br />TS/JRLJRLhttps://www.blogger.com/profile/03557212825127420352noreply@blogger.com